This is an HTML version of an attachment to the Freedom of Information request 'NFSAA Style/Writing/Brand Guides'.

Visual Identity Guide
VISUAL IDENTITY GUIDE  |  1

INTRODUCTION
The NFSA aims to be Australia’s most dynamic and valued 
cultural organisation. The strength of the NFSA brand is key to 
achieving this goal. 
This guide outlines the core elements of the NFSA visual 
identity, including logos, colour and typography, and how they 
should be handled and reproduced. 
Thank you for using the assets to strengthen our brand. Please 
reach out to xxxxx@xxxx.xxx.xx if you have questions.
VISUAL IDENTITY GUIDE  |  2

PRIMARY LOGO
MONO
REVERSED
The mono (black) primary 
The reversed (white) primary 
logo is our preferred brand 
logo is used when the 
mark for all materials, where 
background doesn’t allow for 
legibility allows. It can be used 
the mono (black) version to 
on white or light colours and 
be used. It can be used on 
imagery, and may be supplied 
all black or dark colours and 
to external partners along 
imagery, and may be supplied 
with this guide.
to external partners along 
with this guide. 
VISUAL IDENTITY GUIDE  |  3

SECONDARY LOGO
MONO
REVERSED
The mono (black) secondary 
The reversed (white) 
logo is a condensed version 
secondary logo is a 
of the primary logo and 
condensed version of the 
should only be used where 
primary logo and should only 
the primary logo becomes 
be used  where the primary 
illegible, eg. for sizes smaller 
logo becomes illegible, eg. 
than 37px or 10mm high. 
for sizes smaller than 37px or 
It can be used on white or 
10mm high. 
light colours and imagery. The 
It can be used on black or 
mono secondary logo may be 
dark colours and imagery. 
supplied to external partners 
The reversed secondary logo 
along with this guide and the 
may be supplied to external 
primary logo. 
partners along with this guide 
and the primary logo. 
VISUAL IDENTITY GUIDE  |  4

DIGITAL COLOUR PALETTE
PRIMARY COLOUR PALETTE – RGB
When designing brand 
collateral, we encourage a 
minimalist approach to colour.
Only use one colour on a 
surface – more than one 
colour can be overwhelming 
and can detract from the 
overall design.
If you have any questions 
or need further guidance on 
colour use, contact Marketing 
HEX #007CFF
HEX #EF4BC8
HEX #FF5400
HEX #49EC33
and Communications via 
R=0, G=124, B=255
R=239, G=75, B=200
R=255, G=84, B=0
R=73, G=236, B=51
xxxxx@xxxx.xxx.xx.
SECONDARY COLOUR PALETTE – RGB
HEX #000000
HEX #2F2F2F
HEX #014042
HEX #E0E0E0
HEX #FFFFFF
R=0, G=0, B=0
R=47, G=47, B=47
R=1, G=64, B=66
R=224, G=224, B=224
R=225, G=225, B=225
VISUAL IDENTITY GUIDE  |  5

PRINT COLOUR PALETTE
PRIMARY COLOUR PALETTE – CMYK
When designing brand 
collateral, we encourage a 
minimalist approach to colour.
Only use one colour on a 
surface – more than one 
colour can be overwhelming 
and can detract from the 
overall design.
If you have any questions 
or need further guidance on 
colour use, contact Marketing 
C=87, M=32, Y=0, K=0 
C=7, M= 92, Y=0, K=0
C=0, M=81, Y=99, K=0
C=53, M=0, Y=92, K=0
and Communications via 
PANTONE 2184
PANTONE RHODAMINE RED
PANTONE 165
PANTONE 2287 
xxxxx@xxxx.xxx.xx.
SECONDARY COLOUR PALETTE – CMYK
C=60, M=40, Y=40, K=100
C=70, M=64, Y=63, K=62
C=92, M=55, Y=61, K=47
C=11, M=8, Y=9, K=0 
C=0, M=0, Y=0, K=0
PANTONE PROCESS BLACK 
PANTONE 426
PANTONE 330
PANTONE 427
VISUAL IDENTITY GUIDE  |  6

ACCESSIBLE FOR DIGITAL CHECK
FAIL
White text on a 
Large text
Large text
Large text
Large text
green background 
does not pass the 
accessibillity test 
and should not 
be used.
Regular text
Regular text
Regular text
Regular text
Large text
Large text
Large text
Large text
PASS
PASS
PASS
PASS
VISUAL IDENTITY GUIDE  |  7

TYPOGRAPHY HIERARCHY – BRAND FONTS 
Use Tisa Pro Light as the body 
SUBHEADING 
type for lengthy body copy. 
LOREM IPSUM DOLOR
Panton Semibold, all caps, kerning 50pt (or relative to the 
size of the text); if an underline is used, it should be slightly 
This will make the text easier 
thinner than the text and offset to match the kerning
to read and improve the 
overall flow of the content.
HEADING 
Lorem ipsum
Panton Semibold, sentence case, kerning 10pt 
(or relative to the size of the text)
SUBHEADING 
SAT 19 AUG | 1PM
Panton Semibold, all caps, kerning 50pt  
(or relative to the size of the text)
Et laboreperum facerem olorest quidele cuptassendam 
nonet optia ditatem. Et qui reperia eptatur? Ehenisc 
BODY 
ipsunt est eatum fugitib usdaecte si quatusam, ilitatis 
Tisa Pro Light, sentence case
quas corpore vid magnien dicaborrum ipsusae aliquis 
nobit rem volescit, int volut lanimust est.
Am venia di dolorepeles ea delique nulpa esedi re sed 
quatess iminctibus, is estrum, vel molorae ceatint 
untectu ressedi odisqui aut offictem eiciis animusa  
sit mendem
VISUAL IDENTITY GUIDE  |  8

TYPOGRAPHY HIERARCHY – SYSTEM FONTS
Use Georgia Regular as the 
LOREM IPSUM DOLOR
SUBHEADING 
Calibri regular
body type for lengthy body 
copy. This will make the text 
easier to read and improve 
the overall flow of the content.
Lorem ipsum
HEADING 
Calibri regular
SUBHEADING 
SAT 19 AUG | 1PM
Calibri regular, all caps
Et laboreperum facerem olorest quidele cuptassendam 
nonet optia ditatem. Et qui reperia eptatur? Ehenisc 
ipsunt est eatum fugitib usdaecte si quatusam, ilitatis 
quas corpore vid magnien dicaborrum ipsusae aliquis 
BODY 
nobit rem volescit, int volut lanimust est.
Georgia regular
Am venia di dolorepeles ea delique nulpa esedi re sed 
quatess iminctibus, is estrum, vel molorae ceatint 
untectu ressedi odisqui aut offictem eiciis animusa  
sit mendem
VISUAL IDENTITY GUIDE  |  9

THANK YOU
Thank you for handling NFSA visual assets with care and helping to 
strengthen and protect our brand. 
Please send any questions or requests for approval to  
xxxxx@xxxx.xxx.xx
VISUAL IDENTITY GUIDE  |  10